A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music | Intellect Skip to content
1981
Volume 9, Issue 1
  • ISSN: 2052-3998
  • E-ISSN: 2052-4005

Abstract

Because of its marketing impact and key role in the definition of a band’s visual identity, the artwork of a metal album is carefully designed to reflect the music played by the band. Bearing in mind the historical association between colour and music, we performed a quantitative colorimetric analysis of 1150 metal album artworks (MAA) (and of 400 non-metal artworks for the purpose of comparison) in order to study the place of colours in metal artworks visual identity. In each artwork, we have extracted its five dominant colours (with a k-means clustering algorithm) and underwent a colour histogram analysis. We showed that MAA appear darker than their non-metal counterparts. We derived a colour palette of MAA and showed that black, (dark) grey and brown/orange tones are by far the most frequently used colours. The presence of these ‘metal colours’ is very consistent between metal subgenres. However, the visual identity of some metal subgenres encompasses specific artwork colorimetric rules. Black metal album covers are darker and mainly use black and dark grey. Groove metal artworks tend to display warmer and more saturated colours with an increased use of brownish and orange tones. Drone metal albums are lighter while crossover albums have a mottled appearance. Nevertheless, for most of the metal subgenres the artwork visual identity seems to rely on colour-independent elements. We suppose that this identity might rather be built on thematic elements and probably also on the logotypes’ style. A lot of work remains to be done to clearly understand what makes metal albums look so peculiar.

Loading

Article metrics loading...

/content/journals/10.1386/mms_00095_1
2023-05-04
2024-04-27
Loading full text...

Full text loading...

References

  1. Acero ( 2020), Antes Que Sea Tarde, https://commons.wikimedia.org/wiki/File:AntesQueSeaTardeAcero2020.jpg. Accessed 9 February 2023.
    [Google Scholar]
  2. Alexandre, Marco Rafael da Silva. ( 2017;), ‘ The logo in the heavy metal culture: Understanding and registration of existing codes and visual patterns. ’, master’s thesis, Leiria:: Instituto Politecnico de Leiria;, https://iconline.ipleiria.pt/handle/10400.8/2449. Accessed 9 February 2023.
    [Google Scholar]
  3. Anon. ( n.d.;), ‘ IJ Plugins: K-means clustering. ’, IJPlugins, http://ij-plugins.sourceforge.net/plugins/segmentation/k-means.html. Accessed 9 February 2023.
    [Google Scholar]
  4. Anon. ( n.d.;), ‘ Home page. ’, Rate Your Music, https://rateyourmusic.com. Accessed 9 February 2023.
    [Google Scholar]
  5. Ashby, Steven P., and Schofield, John. ( 2015;), ‘ “Hold the Heathen Hammer High”: Representation, re-enactment and the construction of “Pagan” heritage. ’, International Journal of Heritage Studies, 21:5, pp. 493511, https://doi.org/10.1080/13527258.2014.960441.
    [Google Scholar]
  6. Bardine, Bryan. ( 2009;), ‘ Elements of the gothic in heavy metal: A match made in hell. ’, in G. Bayer. (ed.), Heavy Metal Music in Britain, Farnham and Burlington, VT:: Ashgate;, pp. 12539.
    [Google Scholar]
  7. Bornholm ( 2021), Apotheosis (Album Artwork), https://www.metal-archives.com/images/9/7/6/0/976038.jpg?0638. Accessed 9 February 2023.
    [Google Scholar]
  8. Burney, Aqil, and Tariq, Humera. ( 2014;), ‘ K-means cluster analysis for image segmentation. ’, International Journal of Computer Applications, 96:4, https://doi.org/10.5120/16779-6360.
    [Google Scholar]
  9. Chang, Huiwen,, Fried, Ohad,, Liu, Yiming,, DiVerdi, Stephen, and Finkelstein, Adam. ( 2015;), ‘ Palette-based photo recoloring. ’, ACM Transactions on Graphics, 34:4, pp. 111, https://doi.org/10.1145/2766978.
    [Google Scholar]
  10. Chavolla, Edgar,, Zaldivar, Daniel,, Cuevas, Erik, and Perez, Marco A.. ( 2018;), ‘ Color spaces advantages and disadvantages in image color clustering segmentation. ’, in A. E. Hassanien, and D. A. Oliva. (eds), Advances in Soft Computing and Machine Learning in Image Processing, vol. 730, Cham:: Springer International Publishing;, pp. 322, https://doi.org/10.1007/978-3-319-63754-9_1.
    [Google Scholar]
  11. Coggins, Owen. ( 2016;), ‘ Transforming detail into myth: Indescribable experience and mystical discourse in drone metal. ’, in A. R. Brown,, K. Spracklen,, K. Kahn-Harris, and N. W. R. Scott. (eds), Global Metal Music and Culture: Current Directions in Metal Studies, London:: Routledge;, pp. 311–29.
    [Google Scholar]
  12. Conway, Damian. ( 1992;), ‘ An experimental comparison of three natural language colour naming models. ’, Monash University;, https://users.monash.edu/~damian/papers/PDF/ColourNaming.pdf. Accessed 13 March 2023.
    [Google Scholar]
  13. Friconnet, Guillaume. ( 2022;), ‘ Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features. ’, Metal Music Studies, 8:2, pp. 183203, https://doi.org/10.1386/mms_00074_1.
    [Google Scholar]
  14. Ganesan, P.,, Sathish, B. S.,, Vasanth, K.,, Sivakumar, V. G.,, Vadivel, M., and Ravi, C. N.. ( 2019;), ‘ A comprehensive review of the impact of color space on image segmentation. ’, in 5th International Conference on Advanced Computing & Communication Systems (ICACCS), Coimbatore, India, 15–16 March, IEEE, pp. 96267, https://doi.org/10.1109/ICACCS.2019.8728392.
    [Google Scholar]
  15. Grogan, Mairead,, Hudon, Matis,, Mccormack, Daniel, and Smolic, Aljosa. ( 2018;), ‘ Automatic palette extraction for image editing. ’, Irish Machine Vision and Image Processing Conference 2018, Ulster University, Northern Ireland, 29–31 August.
    [Google Scholar]
  16. Harrell, Jack. ( 1994;), ‘ The poetics of destruction: Death metal rock. ’, Popular Music and Society, 18:1, pp. 91103, https://doi.org/10.1080/03007769408591546.
    [Google Scholar]
  17. Hassan, Rakib,, Ema, Romana, and Islam, Tajul. ( 2017;), ‘ Color image segmentation using automated k-means clustering with RGB and HSV color spaces. ’, Global Journal of Computer Science and Technology: Graphics & Vision, 17:2, pp. 2533.
    [Google Scholar]
  18. Hillier, Benjamin. ( 2020;), ‘ Considering genre in metal music. ’, Metal Music Studies, 6:1, pp. 526, https://doi.org/10.1386/mms_00002_1.
    [Google Scholar]
  19. Holm, Jukka,, Aaltonen, Antti, and Siirtola, Harri. ( 2009;), ‘ Associating colours with musical genres. ’, Journal of New Music Research, 38:1, pp. 87100, https://doi.org/10.1080/09298210902940094.
    [Google Scholar]
  20. Jones, Steve, and Sorger, Martin. ( 1999;), ‘ Covering music: A brief history and analysis of album cover design. ’, Journal of Popular Music Studies, 11&12:1, pp. 68102, https://doi.org/10.1111/j.1533-1598.1999.tb00004.x.
    [Google Scholar]
  21. Le, Vivian T.. ( 2020;), ‘ Visual metaphors on album covers: An analysis into graphic design’s effectiveness at conveying music genres. ’, Honors Baccalaureate thesis, Corvallis, OR: Oregon State University;, https://ir.library.oregonstate.edu/concern/honors_college_theses/0r967b03c. Accessed 9 February 2023.
    [Google Scholar]
  22. Libeks, Janis, and Turnbull, Douglas. ( 2011;), ‘ You can judge an artist by an album cover: Using images for music annotation. ’, IEEE Multimedia, 18:4, pp. 3037, https://doi.org/10.1109/MMUL.2011.1.
    [Google Scholar]
  23. Lindborg, PerMagnus, and Friberg, Anders K.. ( 2015;), ‘ Colour association with music is mediated by emotion: Evidence from an experiment using a CIE lab interface and interviews. ’, PLOS ONE, 10:12, https://doi.org/10.1371/journal.pone.0144013.
    [Google Scholar]
  24. Machín, Benjamín. ( 2021;), ‘ Training a heavy metal artwork generator using StyleGAN2-ADA. ’, Benjamín Machín, 15 February, https://bmachin.medium.com/training-a-heavy-metal-artwork-generator-using-stylegan2-ada-1c1e30bc1e9b. Accessed 9 February 2023.
    [Google Scholar]
  25. Palmer, Stephen E.,, Schloss, Karen B.,, Xu, Zoe, and Prado-León, Lilia R.. ( 2013;), ‘ Music–color associations are mediated by emotion. ’, Proceedings of the National Academy of Sciences, 110:22, pp. 883641, https://doi.org/10.1073/pnas.1212562110.
    [Google Scholar]
  26. Schneider, Caroline A.,, Rasband, Wayne S., and Eliceiri, Kevin W.. ( 2012;), ‘ NIH image to ImageJ: 25 years of image analysis. ’, Nature Methods, 9:7, pp. 67175.
    [Google Scholar]
  27. Sederholm, Carl H.. ( 2016;), ‘ H. P. Lovecraft, heavy metal, and cosmicism. ’, Rock Music Studies, 3:3, pp. 26680, https://doi.org/10.1080/19401159.2015.1121644.
    [Google Scholar]
  28. Skov, Marie Arleth. ( 2018;), ‘ 0201 The art of the enfants terribles: Infantilism and dilettantism in punk art. ’, RIHA Journal, 2018, https://doi.org/10.11588/RIHA.2018.0.70281.
    [Google Scholar]
  29. Smialek, Eric. ( 2015), Genre and Expression in Extreme Metal Music, ca. 1990–2015, Montréal:: McGill University;.
    [Google Scholar]
  30. Smialek, Eric. ( 2019;), ‘ Getting medieval: Signifiers of the middle-ages in black metal aesthetics. ’, in R. Barratt-Peacock, and R. Hagen. (eds), Medievalism and Metal Music Studies: Throwing Down the Gauntlet, Bingley:: Emerald Publishing Limited;, pp. 3555, https://doi.org/10.1108/978-1-78756-395-720191005.
    [Google Scholar]
  31. Srivastava, Divya,, Wadhvani, Rajesh,, Gyanchandani, Manasi, and Azad, Maulana. ( 2015;), ‘ A review: Color feature extraction methods for content based image retrieval. ’, IJCEM International Journal of Computational Engineering & Management, 18:3, pp. 913.
    [Google Scholar]
  32. Straw, Will. ( 1984;), ‘ Characterizing rock music cultures: The case of heavy metal. ’, Canadian University Music Review, 5, pp. 10422, https://doi.org/10.7202/1013933ar.
    [Google Scholar]
  33. Triggs, T.. ( 2006;), ‘ Scissors and glue: Punk fanzines and the creation of a DIY aesthetic. ’, Journal of Design History, 19:1, pp. 6983, https://doi.org/10.1093/jdh/epk006.
    [Google Scholar]
  34. Tsang, Tawny. ( 2012;), ‘ Associations between color and music are mediated by emotion and influenced by tempo. ’, Yale Review of Undergraduate Research in Psychology, 2010, pp. 8292, https://cpb-us-w2.wpmucdn.com/campuspress.yale.edu/dist/a/1215/files/2015/11/2010_YRURP-Second-Issue-1c48m7l.pdf#page=82. Accessed 9 February 2023.
    [Google Scholar]
  35. Vestergaard, Vitus. ( 2016;), ‘ Blackletter logotypes and metal music. ’, Metal Music Studies, 2:1, https://doi.org/10.1386/mms.2.1.109_1.
    [Google Scholar]
  36. Ward, Thronzo. ( 2018;), ‘ Aesthetics of sound: The relationship between music and its artwork. ’, master’s thesis, Clinton, MS:: Mississippi College;.
    [Google Scholar]
  37. Whiteford, Kelly L.,, Schloss, Karen B.,, Helwig, Nathaniel E., and Palmer, Stephen E.. ( 2018;), ‘ Color, music, and emotion: Bach to the blues. ’, I-Perception, 9:6, pp. 127, https://doi.org/10.1177/2041669518808535.
    [Google Scholar]
  38. You, Manlai, and Chen, Li-Min. ( 2009;), ‘ A diachronic study of POP album cover from 1980 to 1992 in Taiwan. ’, WSEAS Transactions on Communications, 8:10, pp. 106475.
    [Google Scholar]
  39. Zinchenko, Ekaterina. ( 2022), Visual Content Analysis of Alternative Rock and Metal Album Covers of the Year 2021, Alicante:: Universidad de Alicante;.
    [Google Scholar]
  40. Friconnet, Guillaume. ( 2023;), ‘ A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music. ’, Metal Music Studies, 9:1, pp. 77100, https://doi.org/10.1386/mms_00095_1
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/mms_00095_1
Loading
/content/journals/10.1386/mms_00095_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error