Editorial

Nedim Hassan; Niall Scott; Nelson Varas-Díaz; Ross Hagen

doi:10.1386/mms_00120_2

ISSN: 2052-3998
E-ISSN: 2052-4005

f Editorial
Authors: Nedim Hassan¹, Niall Scott², Nelson Varas-Díaz², Ross Hagen³
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Affiliations: ¹ ISNI: 0000000403680654 Liverpool John Moores University ² ISNI: 0000000121101845 Florida International University ³ ISNI: 0000000122195599 Utah Valley University
Source: Metal Music Studies, Volume 9, Issue 3, Sep 2023, p. 271 - 274
DOI: https://doi.org/10.1386/mms_00120_2
Language: English
- Published online: 14 Mar 2024

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Abstract

Last year saw the 30-year anniversary of Robert Walser’s (1993) seminal text, Running with the Devil. To provide something of a belated celebration of this, first section associate editor Nedim Hassan starts this issue with a personal account of what the book means to him.

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References

Brown, Andy R. (2022), ‘Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Robert Walser ([1993] 2014)’, review, Metal Music Studies, 8:3, pp. 423–28.
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Hassan, Nedim (2021), Metal on Merseyside: Music Scenes, Community and Locality, Cham: Palgrave Macmillan.
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Hill, Rosemary Lucy (2021), ‘When love and critique collide: Methodology, ontology, fandom and standpoint in metal research’, Metal Music Studies, 7:2, pp. 197–210.
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Straw, Will (1990), ‘Characterizing rock music culture: The case of heavy metal’, in S. Frith and A. Goodwin (eds), On Record: Rock, Pop and the Written Word, London: Routledge, pp. 97–110.
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Walser, Robert (1993), Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Hanover, NH: Wesleyan University Press.
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Weinstein, Deena (2000), Heavy Metal: The Music and Its Culture, Boston, MA: DaCapo Press.
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http://instance.metastore.ingenta.com/content/journals/10.1386/mms_00120_2

Article Type: Editorial

Keyword(s): discourse; ethnography; gender; identity; metal music studies; Robert Walser; Running with the Devil; subculture

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Abstract

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