Photographic art and technology in contemporary India

References

1. Barthes, R.. (1981), Camera Lucida: Reflections on Photography, New York:: Farrar, Straus and Giroux;.
   [Google Scholar]
2. Batchen, G.. (2000);, 'Ectoplasm: Photography in the digital age'. , in C. Squiers. (ed.), Essays on Contemporary Photography, New York:: The New Press;, pp. 9-23.
   [Google Scholar]
3. Chun, W. H. K.. (2011), Programmed Visions: Software and Memory, Cambridge, MA and London:: MIT Press;.
   [Google Scholar]
4. Cubitt, S.. (2011);, 'Time to live', ISEA (The Inter-Society for the Electronic Arts). , 17th International Symposium on Electronic Art, Istanbul, Turkey, 14-21 September, San Francisco:: ISEA2011 and ISEA International in collaboration with Sabanci University, Leonardo/ ISAST and Goldsmith Collge, University of London;, pp. 566-77.
   [Google Scholar]
5. Flusser, V.. ([1983] 2000), Towards a Philosophy of Photography, London:: Reaktion Books;.
   [Google Scholar]
6. Flusser, V.. ([1985] 2011), Into the Universe of Technical Images, Minneapolis and London:: University of Minnesota Press;.
   [Google Scholar]
7. Ghidini, M. L.. (2013);, 'UN-PUBLISH: OUTSOURCED Part One > TARA KELTON', or-bits.com. , 21 September, http://www.or-bits.com/blog/2013/09/un-publish-outsourced-part-one-tara-kelton/. Accessed 2 August 2016 .
8. Hubertus von, A.. (1995);, 'Photography after photography: The terror of the body in digital space'. , in A. von Hubertus,, S. Iglhaut, and F. Roetzer. (eds), Photography After Photography: Memory and Representation in the Digital Age, Munich:: Verlag der Kunst;, pp. 115-26.
   [Google Scholar]
9. Jenkins, H.,, Ford, S., and Green, J.. (2013), Spreadable Media: Creating Value and Meaning in a Networked Culture, New York:: NYU Press;.
   [Google Scholar]
10. Kelton, T.. (2013), Karizma, London:: Or-bits.com/Banner Repeater;.
    [Google Scholar]
11. Lister, M.. (2000);, 'Photography in the age of electronic imaging'. , in L. Wells. (ed.), Photography: A Critical Introduction, , 2nd. ed., London and New York:: Routledge;, pp. 305-45.
    [Google Scholar]
12. MacDougall, D.. (2006), The Corporeal Image: Film, Ethnography and the Senses, Princeton and Oxford:: Princeton University Press;.
    [Google Scholar]
13. Manovich, L. (2003);, 'The paradoxes of digital photography'. , in L. Wells. (ed.), The Photography Reader, London:: Routledge;, pp. 240-49.
    [Google Scholar]
14. McLuhan, M.. (1964), Understanding Media: The Extensions of Man, New York:: McGraw-Hill;.
    [Google Scholar]
15. Palmer, D.. (2013);, 'Redundant photographs: Cameras, software and human obsolescence'. , in D. Rubinstein,, J. Golding, and A. Fisher. (eds), On the Verge of Photography: Imaging Beyond Representation, Birmingham:: ARTicle Press;, pp. 47-65.
    [Google Scholar]
16. Pinney, C.. (1997a), Camera Indica: The Social Life of Indian Photographs, London:: Reaktion Books;.
    [Google Scholar]
17. Pinney, C.. (1997b);, 'Photographic portraiture in central India in the 1980s and 1990s'. , in J. Woodall. (ed.), Portraiture: Facing the Subject, Manchester:: Manchester University Press;, pp. 131-47.
    [Google Scholar]
18. Pinney, C.. (2008), The Coming of Photography in India, London:: The British Library;.
    [Google Scholar]
19. Richin, F.. (2013);, 'What a photograph can accomplish: Bending the frame'. , Time, 29 May, http://time.com/3799860/what-a-photograph-can-accomplish-bending-the-frame-by-fred-ritchin/. Accessed 2 August 2016 .
    [Google Scholar]
20. Rosler, M.. (1991);, 'Image simulations, computer manipulations: Some considerations'. , Ten 8, Digital Dialogues, 2:2, pp. 52-63.
    [Google Scholar]
21. Shaikh, I. A.. (2011);, 'How to start and run a successful DTP center in India'. , Siaar Group Inspiring, 16 May, https://siaargroup.blogspot.ie/2011/05/how-to-start-and-run-successful-dtp.html. Accessed 2 August 2016 .
22. Ströhl, A.. (ed.) (2004), Writings: Vilem Flusser (trans. E. Eisel.), Minneapolis and London:: University of Minnesota Press;.
    [Google Scholar]
23. Tagg, J.. ([1988] 1993), The Burden of Representation: Essays on Photographies and Histories, Minneapolis:: University of Minnesota Press;.
    [Google Scholar]
24. Wells, L.. (ed.) (2000), Photography: A Critical Introduction, London:: Psychology Press;.
    [Google Scholar]
25. Blaney, Aileen. (2019);, 'Photographic art and technology in contemporary India'. , Philosophy of Photography, 10:1, pp. 23-40, doi: https://doi.org/101386/pop_00004_1.
    [Google Scholar]