Kids’re Forming Bands: Making Meaning in Post-Punk | Intellect Skip to content
1981
Volume 1 Number 1
  • ISSN: 2044-1983
  • E-ISSN: 2044-3706

Abstract

As a critical category, post-punk is sufficiently diverse that its organizing principle is not to be found in its stylistic unity. As a set of musical styles, its organizing principle is not audible. Nonetheless, I propose that its core exemplars represent a coherent movement, in the art-historic sense. Within popular music, post-punk represents a shift away from punk’s romantic expressionism to a modernist commitment to use verbal-musical interplay for the expression of ideas, particularly the idea of democratization. As a working out of aesthetic theory, its commitments correspond closely to Immanuel Kant’s model of genius.

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/content/journals/10.1386/punk.1.1.73_1
2011-09-08
2024-04-28
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http://instance.metastore.ingenta.com/content/journals/10.1386/punk.1.1.73_1
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  • Article Type: Article
Keyword(s): aesthetics; art; genius; Immanuel Kant; post-punk; punk; style
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