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Punk & Post-Punk - Online First
Online First articles will be assigned issues in due course.
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Punk and decolonial thinking in Bogota, Colombia
Available online: 27 March 2023More LessThis article gathers the work carried out with three punk bands of Bogota to talk about decoloniality regarding race, class and gender. To analyse the latter the theoretical framework we proposed was decolonial aesthetics and liberating music praxis. The results from the research were two-fold: on the one hand, through a quantitative methodology, Bogota’s punk scene composition regarding race, class and gender; and on the other hand, through a qualitative methodology, a discursive analysis of the workshops, the in-depth interviews and the lyrics of the songs. We sought to answer the question: how does punk connect with decoloniality and become a music genre that supports the narration of oppressions?
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Totally inspired by punk: An interview with Martin Bowes and Alan Rider
Available online: 12 December 2022More LessThis interview contextualizes the music of two bands, Stress and Attrition, their relationship to time and place (Coventry in the early 1980s) and the zines produced at the time by both interviewees. Bowes and Rider consider DIY zine and tape culture, their bands’ relationship to punk, post-punk and indie labels, other contemporaneous music which was often the focus of the music press’ interest in the city, as well as their current music and publishing activities.
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The afterlife of punk: Evental sites of punk 77
Available online: 02 September 2022More LessBuilding on the argument of my previous article ‘Autonomy and agency: The event of punk 77’, this article defends the continuing political relevance of punk. Rejecting the dominant story that punk was a utopian, short-lived revolution, over before it had a chance to effect any social change, I argue that punk survives through people who, radicalized by its vision of cultural agency, motivate revolutionary ‘ways of being’ committed to realizing and transmitting that vision to others. The subjects of 77 are heir to a revolutionary tradition, choosing to ‘keep’ punk ‘alive’ through fidelity to its inaugural event; a fidelity that involves renewed acknowledgement of the ‘subversive’ dimension of the event’s original ‘epochal rupture’. Two case studies are offered in support of this argument. An account of the eruption of a punk scene in the provincial town of Drogheda in Ireland in the early 1980s, followed by discussion of the specific way punk engaged young women, a case study based on interviews with Gina Birch, founding member of first-generation all-female punk band the Raincoats. I conclude by recasting the legacy of punk as a tradition of revolutionary inheritance.
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