From ‘commercial sell out’ to community-based event: The paradoxes of Polish punk rock music festivals

References

1. Adamski, Tomasz. ( 2008;), ‘ Idzie wojna’ (‘War is coming’). , Na wszystkich frontach świata, CD, Bytom:: Manufaktura Legenda;.
   [Google Scholar]
2. Autissier, Anne-Marie. ( 2008), Festivals in Europe: From Zagreb to Edinburgh, Paris-Touluse:: Les Editions de l’Attribut;.
   [Google Scholar]
3. Bakhtin, Mikhail. ( 1968), Rabelais and His World, Bloomington, IN:: Indiana University Press;.
   [Google Scholar]
4. Bakhtin, Mikhail. ( 1984), Problems of Dostoevsky's Poetics, Manchester:: Manchester University Press;.
   [Google Scholar]
5. Bauman, Zygmunt. ( 2017), Retrotopia, Cambridge:: Polity Press;.
   [Google Scholar]
6. Bonnett, Alastair. ( 2010), Left in the Past: Radicalism and the Politics of Nostalgia, New York and London:: Bloomsbury;.
   [Google Scholar]
7. Bowman, Edith. ( 2015), Edith Bowman’s Great British Music Festivals, London:: Bonnier Publishing;.
   [Google Scholar]
8. Buchowski, Michał. ( 2017), Czyściec: Antropologia neoliberalnego postsocjalizmu, Poznań:: Wydawnictwo Naukowe UAM;.
   [Google Scholar]
9. Caillois, Roger. ( 2001), Man, Play and Games (trans. M. Barash), Urbana, IL and Chicago:: University of Illinois Press;.
   [Google Scholar]
10. Charles, Nickie,, Davies, Charlotte A., and Harris, Chris. ( 2008), Families in Transition: Social Change, Family Formation and Kin Relationships, Bristol:: Policy Press;.
    [Google Scholar]
11. Cichoński, Marcin. ( 2019;), ‘ Rusza Jarocin, ale już nikt nie mówi o nim “nasz festiwal”: Bilety za skrzynkę piwa. ’, dziennik.pl, 12 July, https://muzyka.dziennik.pl/koncerty/artykuly/602448,jarocin-kultowy-festiwal-upadek-bilety-kontrowersje-felieton.html. Accessed 13 March 2021.
    [Google Scholar]
12. Dragicevic-Sesic, Milena, and Dragojevic, Sanjin. ( 2004), Intercultural Mediation in the Balkans, Sarajevo:: OKO;.
    [Google Scholar]
13. Durkheim, Emile. ( 1986), The Elementary Forms of the Religious Life, Beverly Hills, CA:: Sage Publications;.
    [Google Scholar]
14. Eliade, Mircea. ( 1959), The Sacred and the Profane: The Nature of Religion, New York:: Harcourt, Brace & Company;.
    [Google Scholar]
15. Gardner, Robert Owen. ( 2020), The Portable Community: Place and Displacement in Bluegrass Festival Life, London and New York:: Routledge;.
    [Google Scholar]
16. Getz, David. ( 2005), Event Management and Event Tourism, New York:: Wiley;.
    [Google Scholar]
17. Getz, David. ( 2010;), ‘ The nature and the scope of festival studies. ’, International Journal of Event Management Research, 5:1, pp. 1–47.
    [Google Scholar]
18. Grabowski, Krzysztof. ( 1983), Spytaj milicjanta (‘Ask the policeman’), 7” EP, Warszawa:: Tonpress;.
    [Google Scholar]
19. Gumola, Paweł. ( 1989;), ‘ Powietrza’ (‘Need some air’). , Moskwa, vinyl album, Pionki:: Pronit;.
    [Google Scholar]
20. Holden, John. ( 2015), The Ecology of Culture, London:: AHRC;.
    [Google Scholar]
21. Idzikowska-Czubaj, Anna. ( 2020;), ‘ Rock and politics in the People’s Republic of Poland. ’, in P. Galuszka. (ed.), Made in Poland: Studies in Popular Music, New York and London:: Routledge;, pp. 37–49.
    [Google Scholar]
22. Krupski, Michał. ( 2019;), ‘ Jarocinie, dokąd zmierzasz?. ’, Fresh Mag, 12 May, http://freshmag.pl/magazyn/czytelnia/jarocinie-dokad-zmierzasz-2. Accessed 19 March 2021.
    [Google Scholar]
23. Kuligowski, Waldemar. ( 2015;), ‘ Sentymentalizacja, topofilia i pokoleniowość: Jarocin re-study. ’, Czas Kultury, 4, pp. 32–42.
    [Google Scholar]
24. Kuligowski, Waldemar. ( 2017;), ‘ Collective vertigo: Roger Caillois “theorie de la fete” toward contemporary music festivals in Poland and Hungary. ’, Acta Ethnographica Hungarica: An International Journal of Ethnography, 62:2, pp. 35–52.
    [Google Scholar]
25. Kuligowski, Waldemar. ( 2019;), ‘ “They sold the festival out!”: Axionormativity as a future of festivals. ’, in E. Mazierska,, L. Gillon, and T. Rigg. (eds), Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology, London and New York:: Bloomsbury Academic;, pp. 93–110.
    [Google Scholar]
26. Landis, Paul H.. ( 1941), After Three Years: A Restudy of the Social and Economic Adjustment of a Group of Drought Migrants, Washington, DC:: Pullman;.
    [Google Scholar]
27. Lassiter, Luke E.,, Goodall, Hurley,, Campbell, Elizabeth, and Johnson, Michelle N.. ( 2004), The Other Side of Middletown: Exploring Muncie’s African American Community, Walnut Creek, CA:: Altamira Press;.
    [Google Scholar]
28. Lesiakowski, Krzysztof,, Perzyna, Paweł, and Toborek, Tomasz. ( 2004), Jarocin w obiektywie bezpieki, Warszawa:: Instytut Pamięci Narodowej;.
    [Google Scholar]
29. Lynd, Robert S., and Lynd, Helen M.. ( 1929), Middletown: A Study in Contemporary American Culture, New York:: Harcourt, Brace & Company;.
    [Google Scholar]
30. Lynd, Robert S., and Lynd, Helen M.. ( 1937), Middletown in Transition: A Study in Cultural Conflicts, New York:: Harcourt, Brace & Company;.
    [Google Scholar]
31. Malinowski, Brosniław. ( 1923;), ‘ The problem of meaning in primitive society. ’, in C. K. Ogden. (ed.), The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism, London:: Routledge and Kegan Paul;, pp. 296–336.
    [Google Scholar]
32. Marciniak, Marta. ( 2020;), ‘ Deserters with a chance of success: Polish punks before and after 1989. ’, in P. Galuszka. (ed.), Made in Poland: Studies in Popular Music, New York and London:: Routledge;, pp. 107–18.
    [Google Scholar]
33. Mauss, Marcel. ( 2004), Seasonal Variations of the Eskimo: A Study in Social Morphology, London and New York:: Routledge;.
    [Google Scholar]
34. Nawrocki, Bartek. ( 2019;), ‘ Bilet na Jarocin Festiwal 2019 gratis do piwa? Nie tylko …. ’, Zwielkopolski24, 12 July, https://www.zwielkopolski24.pl/wiadomosci/bilet-na-jarocin-festiwal-2019-gratis-do-piwa-nie-tylko/uIrqIf9L6xv03ZKduou9. Accessed 19 March 2021.
    [Google Scholar]
35. Nocne Szczury ( 2014;), ‘ Zostawcie mnie’ (‘Leave me alone’). , 1980, CD, Dębica:: Pasażer;.
    [Google Scholar]
36. Patton, Raymond A.. ( 2018), Punk Crisis: The Global Punk Rock Revolution, New York:: Oxford University Press;.
    [Google Scholar]
37. Pęczak, Mirosław. ( 2010;), ‘ 30 lat rocka w Jarocinie: Młódź już nie młóci. ’, Polityka, 26:2765, 17 July, p. 56.
    [Google Scholar]
38. Pęczak, Mirosław. ( 2013), Subkultury w PRL: Opór, kreacja, imitacja, Warszawa:: Narodowe Centrum Kultury;.
    [Google Scholar]
39. Piotrowski, Grzegorz. ( 2016;), ‘ Punk against communism: The Jarocin Rock Festival and Revolting Youth in 1980s Poland. ’, in K. Andresen, and B. van der Steen. (eds), A European Youth Revolt: European Perspectives on Youth Protest and Social Movements in the 1980s, Basingstoke:: Palgrave Macmillan;, pp. 203–16.
    [Google Scholar]
40. Poprawski, Marcin,, Jakubowska, Alicja,, Firych, Piotr,, Mękarski, Michał,, Brodniewicz Magdalena,, Landsberg, Piotr,, Kieliszewski, Przemysław,, Kędzierska, Roksana,, Kłosiewicz, Ewa,, Michalczuk, Joanna,, Zielińska, Klaudia,, Gorgoń, Justyna,, Węglarska, Justyna, and Wróblewski, Filip. (eds) ( 2015), Oddziaływanie festiwali na polskie miasta: Studium kompetencji kadr sektora kultury oraz synergii międzysektorowej, Poznań:: Związek Miast Polskich;, http://rok.amu.edu.pl/wp-content/uploads/2016/02/Oddzia%C5%82ywanie-Festiwali-na-Polskie-Miasta-Raport-z-bada%C5%84-2014-15-ZMP-ROK-v2.2.pdf. Accessed 12 February 2021.
    [Google Scholar]
41. Pratt, Mary L.. ( 1992), Imperial Eyes: Travel Writing and Transculturation, London:: Routledge;.
    [Google Scholar]
42. Schechner, Richard. ( 1988), Performance Theory, London:: Routledge;.
    [Google Scholar]
43. Sztompka, Piotr. ( 1993;), ‘ Dilemmas of the great transition. ’, Sisyphus: Social Studies, 2:8, pp. 9–28.
    [Google Scholar]
44. Sztompka, Piotr. ( 1996;), ‘ Looking back: The year of 1989 as a cultural and civilizational break. ’, Communist and Post-Communist Studies, 29:2, pp. 115–29.
    [Google Scholar]
45. Tsangaris, Michael. ( 2019;), ‘ Social networks, festivals and the sense of belonging: Framing rebellion festivals in Blackpool. ’, Punk & Post-Punk, 8:1, pp. 55–72.
    [Google Scholar]
46. Turner, Victor. ( 1969), The Ritual Process: Structure and Anti-Structure, Chicago:: Aldine Publishing Co;.
    [Google Scholar]
47. Weiner, Nathaniel. ( 2018;), ‘ “Put on your boots and Harrington!”: The ordinariness of 1970’s UK punk dress. ’, Punk & Post-Punk, 7:2, pp. 181–202.
    [Google Scholar]
48. Wertenstein-Żuławski, Jerzy, and Pęczak, Mirosław. (eds) ( 1991), Spontaniczna kultura młodzieżowa: Wybrane zjawiska, Wrocław:: Wydawnictwo ‘Wiedza o Kulturze’;.
    [Google Scholar]
49. Willmott, Peter, and Young, Michael D.. ( 1960), Family and Class in a London Suburb, London:: Routledge and K. Paul;.
    [Google Scholar]
50. Witkowski, Grzegorz K.. ( 2011), Grunt to bunt, vol. I, Czerwonak:: In Rock Music Press;.
    [Google Scholar]
51. Witkowski, Grzegorz K.. ( 2012), Grunt to bunt, vol. I, Czerwonak:: In Rock Music Press;.
    [Google Scholar]
52. Witkowski, Grzegorz K.. ( 2013), Grunt to bunt, vol. III, Czerwonak:: In Rock Music Press;.
    [Google Scholar]
53. Wojciechowski, Konrad,, Makowski, Mirosław R., and Witkowski, Grzegorz K.. ( 2011), Pokolenie J8 Jarocin 80-89, Poznań:: In Rock Music Press;.
    [Google Scholar]
54. Żędzian, Jacek. ( 2020;), e-mail interview with the author. , 2 June.
55. Żmijewska, Monika. ( 2020;), ‘ Koronawirus: Rock na Bagnie odwołany, ale zebrano 100 tys: zł na rzecz Biebrzańskiego Parku Narodowego. ’, wyborcza.pl, 28 April, https://bialystok.wyborcza.pl/bialystok/7,35241,25906237,koronawirus-rock-na-bagnie-odwolany-ale-zebrano-100-tys-zl.html. Accessed 17 March 2021.
    [Google Scholar]
56. Kuligowski, Waldemar. ( 2022;), ‘ From “commercial sell out” to communitybased event: The paradoxes of Polish punk rock music festivals. ’, Punk & Post-Punk, 11:1, pp. 51–70, https://doi.org/10.1386/punk_00102_1
    [Google Scholar]