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1981
Volume 7, Issue 2
  • ISSN: 2397-9704
  • E-ISSN: 2397-9712

Abstract

Abstract

This article offers a reflection on the mixed reality experience and a layered approach, devised for the theatrical environment of kimosphere no. 4/Horlà, viewed as an expanded, multi-sensorial sense of playful immersion. This research on new choreographic architectures was conducted with colleagues in the DAP-Lab, developing further our investigations of dance and wearable design. I question the role of the virtual and of wearable virtual reality (VR) headsets within the metakimosphere series and the physical theatre/dance/VR installations that I have created. I also briefly discuss the critical importance and historical context of the ritual-communal aspect of immersion and participatory art.

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/content/journals/10.1386/vcr.7.2.103_1
2017-12-01
2024-07-24
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