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- Volume 14, Issue 2, 2023
Journal of Applied Arts & Health - Volume 14, Issue 2, 2023
Volume 14, Issue 2, 2023
- Editorial
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Editorial
More LessThis editorial reviews how art as primary evidence can persuade those in other fields outside of applied arts of its profound influence psychologically, culturally, socially and politically. Examples are presented of how art’s inherent value and effect towards instilling deeper meaning, well-being and healthier ways of living, has influenced those who we might conceive of as holding financial power to open doors for funding and accessibility. And yet even after almost eighty years of applied arts and health in institutions across sectors, there are still those who feel that if we do not utilize the language and protocols of science, social science and medicine, then there will be no direct way towards securing funding. This long-standing debate is discussed here with illustrations that challenge this ongoing mythology. It is further emphasized that the samples presented here are the very reason that this journal was established in the first place.
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- Articles
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Dancing the Blues: An interdisciplinary collaboration between artists and therapists
Creative practice differs widely across the contexts of artistic performance and therapy. In this article the authors describe a novel example of how the otherwise separate fields of choreographic practices and dance movement psychotherapy (DMP) have fed into each other. More specifically, the article outlines (1) how research into the effectiveness of DMP for depression has been used to create an interdisciplinary performance and (2) how the creative process has informed the development of therapeutic work. The performance was originally intended to disseminate quantitative findings from a study in DMP, but, as it developed, the resonances between artistic and therapeutic practice became the key focus and led to the artists contributing to the principles of a new creative therapy. The performance toured internationally and the new therapy model ‘Arts for the Blues’ has been piloted in the NHS, charities and schools in the north-west of England.
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‘Art is the evidence!’: Developmental Transformations (DvT) theory and practice applied to art-based research
Authors: Dina Fried and Gideon ZehaviArt-based research (ABR) and Developmental Transformations (DvT) both originate and draw from the theory and practice of creative arts therapies. ABR uses response art (RA) in all art modalities to further understand and give form to intersubjective dialogue. The goal of this article is to demarcate the substantial similarities between ABR and DvT and ultimately to suggest their combined potential for future research. The article provides an overview of the underpinnings of ABR and DvT and then outlines the research design and relevant results from an ABR–DvT pilot study. Finally, a summarized dialogue carried out by the authors underscores the complementarity of the two methods.
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‘An anchor in a stormy sea’: An arts in health project for healthcare staff during COVID-19
Authors: Claire Flahavan, Antonia O’Keeffe, Emma Finucane, Mary Grehan and Aoife TwohigThis case study provides an overview of ‘Sidestep’, an arts in health project for staff at a specialist child sexual abuse unit in an Irish paediatric hospital, undertaken during the COVID-19 pandemic. The focus of the project was to provide a ‘virtual creative space’ to support staff across this period of professional and personal challenge. The project was evaluated using pencil and paper questionnaires, and participant feedback is included here, to illuminate the value of an art-based approach to supporting staff well-being at times of crisis and change. Staff described participation in the project as a unique experience which allowed for connection and a sense of ballast during remote working conditions, as well as providing opportunities for meaning-making and reflection. The article is accompanied by images from the project to illustrate the ways in which participants used the image-making process to explore experiences of the pandemic.
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La danse du détour: A collaborative arts performance with people touched by Minamata disease
Authors: Aya Kasai, Philippe Chéhère, Rie Harada, Nonoko Kameyama and Julie SalguesIn May 2019, a group of dancers, photographers and local participants gathered in Minamata, Japan, a community affected by industrial mercury pollution since the 1950s. Philippe Chéhère, Julie Salgues and the Minamata Dance Collective conducted a series of dance sessions with citizens, students, dancers and people touched by Minamata disease in various places of significance in Minamata and explored the potential of movement and its transformation in people and the environment. Through choreographic poetry, they explored the site and the story of Minamata involving 180 people, using dance as a modality of encounter and dialogue. The ten-day dance project culminated in a participatory performance at Minamata Memorial. This case study documents the process of participatory arts by interweaving history, photographs and participants’ voices.
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- Notes from the Field
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Exploring artmaking in a virtual community during COVID-19
Authors: Susan Ridley, Tamar Einstein and Jill McNuttThe pressures of caring for those affected by the COVID-19 pandemic and taking care of self and family have put an untold burden on healthcare professionals and educators. This has exacerbated the risk of mental health issues and burnout. It is important for mental health professionals to engage in self-care strategies in dealing with this on-going trauma. Art therapists have creativity to help them cope with difficult circumstances and technology to help connect in community. This report discusses the art salon created by three arts therapists to manage stressors during COVID-19. Through art-based reflective practice, emergent themes surfaced including creating a sacred space, rituals, connections and communication, and creative expression and transformation.
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Creating and supervising expressive arts groups for migrant families on the Mexican border
Authors: Marianela Soto Hurtado and Roxana OrellanaVoces, a coalition of volunteer expressive arts therapists, created a one-year programme for Central American migrants at a large Mexican shelter on the US border during 2020–21. A team of four psychosocial professionals at the shelter were trained via an online course and weekly self-care and supervision. Two Hispanic members of Voces guided the team in using music, dance, role-play, stories and art to help address the high levels of anxiety, post-traumatic stress disorder (PTSD) and depression shown by the evaluations of 900 migrants waiting up to a year for US entry. The Voces members guided shelter professionals to create expressive arts groups for different ages of children and for parents. With scarce materials, online resources like Pixar/Disney shorts and Pinterest posters, culturally relevant music and cartoons were used to address emotional regulation, conflict resolution, attachment and self-concept.
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Create.Connect.Unwind: A creative response to the pandemic for NHS staff well-being
Authors: Kim Wiltshire and Dawn PrescottThis article presents a reflection on the hurdles faced by arts and health organizations during England’s COVID-19 lockdown in 2020–21 through the work of the arts team at Manchester University NHS Foundation Trust (MFT), Lime Arts. As the pandemic hit, Lime risked being shut down, their premises reallocated and staff redeployed. Convinced that, more than ever, frontline health professionals might benefit from creative workshops, Lime piloted a six-month innovative programme of online creative workshops for MFT staff. Lime then partnered with the Employee Health and Wellbeing Service to take the online workshops across the Trust, creating a new project called Create.Connect.Unwind. The pilot phase ended in May 2022 with a Creativity and Wellbeing Festival at Manchester Royal Infirmary. The authors reflect on this two-year project, considering in retrospect the team response, the participant response and the artwork created as well as the creative perspective behind the project.
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- Webinar Review
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- Book Review
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Sensory Theatre: How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart, Tim Webb (2022)
More LessReview of: Sensory Theatre: How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart, Tim Webb (2022)
New York: Routledge, 278 pp.,
ISBN 978-1-00309-128-8, e-book, $35.95
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