The story of first-person: Recovering autobiographical memory through the animated documentary Ketchup

This is practice-based research, aiming to explore the experimental form of animated documentary, which is a unique form that can explore the mysteries and complexity of memories. Animated documentary is a medium through which one can reveal an individual’s memories within the context of a narrative that is historically situated and influenced. The marriage of animation and documentary gave birth to a new form of film. How should academic critics and practitioners categorize this new form? Is it an animated short or documentary short? This raises issues that question the very nature of animation and documentary. Following Shuibo Wang’s works, more young Chinese artists began to experiment with symbols (related to the Political Pop Trend) in visual narration, which could also be seen as a reflection of an advance in structuralism and semiology in the contemporary Chinese art field. As a case study, this article demonstrates how animated short ‘Ketchup’ revealed the problems of youth and social turmoil through the memories of a six-year-old boy. At Festivals and conferences, the public have been shocked to know that ‘Ketchup’ was based on true memories, and they became more curious about why such crucial things have almost been forgotten. Actually ‘forgetfulness’ is one of the layers of memory and animated documentary offers new ways to explore how our memories are shaped.