Enter the cipher: Welcome to GHHS | Intellect Skip to content
1981
Volume 1 Number 1
  • ISSN: 2632-6825
  • E-ISSN: 2632-6833
Preview this article:

There is no abstract available.

This article is Open Access under the terms of the Creative Commons Attribution-NonCommercial 4.0 International licence (CC BY-NC), which allows users to copy, distribute, transmit and adapt the article, as long as the author is attributed and the article is not used for commercial purposes. To view a copy of the licence, visit https://creativecommons.org/licenses/by-nc/4.0/
Loading

Article metrics loading...

/content/journals/10.1386/ghhs_00001_2
2023-01-16
2024-04-26
Loading full text...

Full text loading...

/deliver/fulltext/ghhs/1/1/ghhs.1.1.3_Haupt.html?itemId=/content/journals/10.1386/ghhs_00001_2&mimeType=html&fmt=ahah

References

  1. Anderson, Benedict R. O’G.. ( 2006), Imagined Communities: Reflections on the Origin and Spread of Nationalism, , rev. ed.., London and New York:: Verso;.
    [Google Scholar]
  2. Electronic Information for Libraries (EIFL) Website ( n.d.;), ‘ About. ’, https://www.eifl.net/page/about. Accessed 20 May 2020.
  3. Forman, Murray,, Haupt, Adam,, Rollefson, J. Griffith, and Rose, Tricia. ( 2020), Aims & Scope for, Global Hip Hop Studies, Intellect Books , https://www.intellectbooks.com/global-hip-hop-studies. Accessed 20 May 2020.
    [Google Scholar]
  4. Hardt, Michael, and Negri, Antonio. ( 2000), Empire, Cambridge:: Harvard University Press;.
    [Google Scholar]
  5. Harris, Travis. ( 2019;), ‘ Can it be bigger than hip hop? From global hip hop studies to hip hop. ’, Journal of Hip Hop Studies, 6:2, pp. 255, https://scholarscompass.vcu.edu/jhhs/vol6/iss2/7/. Accessed 20 April 2020.
    [Google Scholar]
  6. Haupt, Adam. ( 2008), Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion, Cape Town:: HSRC Press;.
    [Google Scholar]
  7. Haupt, Adam, and Lodewyk, Bradley. ‘King Voue’ ( 2019;), ‘ #IntheKeyofB. ’, Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa, Cape Town:: HSRC Press;, https://www.hsrcpress.ac.za/books/neva-again. Accessed 12 May 2020.
    [Google Scholar]
  8. Haupt, Adam,, Williams, Quentin, and Alim, H. Samy. (eds) ( 2018a;), ‘ It’s bigger than hip hop. ’, Journal of World Popular Music, 5:1, pp. 914.
    [Google Scholar]
  9. Haupt, Adam,, Williams, Quentin, and Alim, H. Samy. (eds) ( 2018b;), ‘ Hip hop, en-voicing and agency. ’, Journal of World Popular Music, 5:2, pp. 14751.
    [Google Scholar]
  10. Haupt, Adam,, Williams, Quentin,, Jansen, Emile, and Alim, H. Samy. (eds) ( 2019), Neva Again: Hip Hop Art, Activism and Education in Post-Apartheid South Africa, Cape Town:: HSRC Press;.
    [Google Scholar]
  11. KRS-One ( 1993;), ‘ Sound of da Police. ’, Return of the Boom-Bap, New York:: Jive and RCA;.
    [Google Scholar]
  12. Lipsitz, George. ( 1994), Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place, New York:: Verso;.
    [Google Scholar]
  13. Nitzsche, Sina. ( 2020), European Hip Hop Studies Network , https://europeanhiphopstudiesnetwork.wordpress.com/. Accessed 20 April 2020.
  14. Rollefson, J. Griffith. ( 2018;), ‘ CIPHER: Hip hop interpellation. ’, grant proposal , https://europeanhiphoporg.files.wordpress.com/2018/06/ercconsolidatorgrant-2018-rollefson-fullapp.pdf. Accessed 20 April 2020.
  15. Rollefson, J. Griffith. ( 2017), Flip the Script: European Hip Hop and the Politics of Postcoloniality, Chicago:: University of Chicago Press;.
    [Google Scholar]
  16. Haupt, Adam, and Rollefson, J. Griffith. ( 2020;), ‘ Enter the cipher: Welcome to GHHS. ’, Global Hip Hop Studies, 1:1, pp. 311, doi: https://doi.org/10.1386/ghhs_00001_2
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/ghhs_00001_2
Loading
  • Article Type: Editorial
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error