Cey Adams, Departure: 40 Years of Art and Design, Curated by Liza Quiñonez and Yutong Shi | Intellect Skip to content
1981
1-2: Hip Hop Atlas
  • ISSN: 2632-6825
  • E-ISSN: 2632-6833

Abstract

Review of: , Curated by Liza Quiñonez and Yutong Shi

Stone Gallery, Boston University, 4 October–11 December 2022

This article is Open Access under the terms of the Creative Commons Attribution-NonCommercial 4.0 International licence (CC BY-NC), which allows users to copy, distribute, transmit and adapt the article, as long as the author is attributed and the article is not used for commercial purposes. To view a copy of the licence, visit https://creativecommons.org/licenses/by-nc/4.0/
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2023-12-20
2024-04-28
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References

  1. Adams, Cey (2022), ‘DEPARTURE: Penny Stamps Distinguished Speaker Series’, lecture delivered at The Penny W. Stamps School of Art & Design, University of Michigan, Ann Arbor, 3 November, https://www.youtube.com/watch?v=JFeqMTePWpk. Accessed 22 September 2023.
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  3. Hall, Stuart (1993), ‘What is this “Black in Black Popular Culture?”’, Social Justice, 20:1&2, pp. 5152.
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  4. Jhally, Sut (1997), bell hooks: Cultural Criticism & Transformation, USA: Media Education Foundation.
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  5. Kelley, Robin D. G. (1993), ‘“We Are Not What We Seem”: Rethinking Black working-class opposition in the Jim Crow South’, The Journal of American History, June, 80:1, pp. 75112.
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  6. Laymon, Kiese (2018), Heavy: An American Memoir, New York: Scribner.
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  7. Marriott, Michel (1993), ‘Too Legit to Quit’, New York Times, 3 October, Section 9, p. 8.
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