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1-2: Hip Hop Atlas
  • ISSN: 2632-6825
  • E-ISSN: 2632-6833
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Abstract

An overview of hip hop’s historical emergence and contemporary performance cultures in Ireland with a focus on hip hop music and politics.

Funding
This study was supported by the:
  • European Research Council’s (Award ERC-2018-COG-819143)
© 2023 (2022) The Author(s). Published by Intellect Ltd.
This article is Open Access under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence (CC BY-NC-ND), which allows users to copy, distribute and transmit the article as long as the author is attributed, the article is not used for commercial purposes, and the work is not modified or adapted in any way. To view a copy of the licence, visit https://creativecommons.org/licenses/by-nc-nd/4.0/
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2023-12-20
2024-05-01
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References

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  3. Mullaly, Una (2022), ‘A Celtic revival, in hip-hop and more’, New York Times, 16 March, https://www.nytimes.com/2022/03/16/arts/music/kneecap-irish-rap-celtic-revival.html. Accessed 20 November 2022.
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  4. Murcia, Guillem (2015), ‘Interview with Oisin Lunny’, Rote Keil, http://oisinlunny.com/interview-with-rotekeil-com-about-marxman/#sthash.4H4I6jHV.dpbs. Accessed 20 November 2022.
  5. Rollefson, J. Griffith (2020), ‘Hip hop interpellation: Rethinking autochthony and appropriation in Irish rap’, in Á. Mangaoang, J. O’Flynn and L. Briain (eds), Made in Ireland: Studies in Popular Music, Global Popular Music Series, London: Routledge, pp. 224–36.
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  6. ScaryÉire Newspaper Advert (n.d.), ‘Archived at UndergroundUnited.de.’, http://www.undergroundunited.de/boris/part-7. Accessed 20 November 2022.
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Ireland (Éire)
Global Hip Hop Studies 3, 81 (2022); https://doi.org/10.1386/ghhs_00070_1
/content/journals/10.1386/ghhs_00070_1
/content/journals/10.1386/ghhs_00070_1
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  • Article Type: Article
Keyword(s): Black music; diaspora; epic poetry; hip hop; Ireland; Irish traditional music; marxism; postcolonialism; tradtablism

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