Intertwined body and mind: Embodying character and reflections on the performative experience in Kathakali

References

1. Bachelard, G. and Jolas, M. (1964), The Poetics of Space (trans. D. Russell), Boston, MA: Beacon Press.
   [Google Scholar]
2. Barba, E. (1995), The Paper Canoe, London: Routledge.
   [Google Scholar]
3. Barba, E. and Sanzenbach, S. (1967), ‘The Kathakali theatre’, Tulane Drama Review, 11:4, pp. 37–50.
   [Google Scholar]
4. Barba, E., Savarese, N. and Fowler, R. (1991), The Secret Art of the Performer, London and New York: Routledge.
   [Google Scholar]
5. Bourdieu, P. (1990), The Logic of Practice (trans. R. Nice), Stanford, CA: Stanford University Press.
   [Google Scholar]
6. Casey, E. (1987), Remembering: A Phenomenological Study, Bloomington, IN: Indiana University Press.
   [Google Scholar]
7. Coomaraswamy, A. (1923), Introduction to Indian Art, Adayar Madras: Theosophical Publishing House.
   [Google Scholar]
8. Coomaraswamy, A. (1969), Introduction to Indian Art, 2nd ed., New Delhi: Munshiram Manoharlal Publishers.
   [Google Scholar]
9. Csordas, T. (1993), Somatic Modes of Attention: Cultural Anthropology, New York: Wiley on behalf of American Association of Anthropologists.
   [Google Scholar]
10. Deleuze, G. (1968), Difference and Repetition, New York: Columbia University Press.
    [Google Scholar]
11. Fuchs, T. (2012), ‘The phenomenology of body memory’, in S. C. Koch, T. Fuchs, M. Summa and C. Müller (eds), Body Memory, Metaphor and Movement, Amsterdam: John Benjamin Publishing Company, pp. 9–22, https://pdfs.semanticscholar.org/6ba3/2d062b820760e2c24e4e94f0cd5b27e6755e.pdf. Accessed 27 March 2023.
    [Google Scholar]
12. Hanna, J. (2015), Dancing to Learn: The Brain's Cognition, Emotion and Movement, Lanham, MD: Rowman & Littlefield.
    [Google Scholar]
13. James, W. (1950), The Principles of Psychology Volume 1, Newburyport, MA: Dover Publications.
    [Google Scholar]
14. Kershaw, B. and Nicholson, H. (2011), Research Methods in Theatre and Performance, Edinburgh: Edinburgh University Press.
    [Google Scholar]
15. Kirby, M. (1965), Happenings, New York: Dutton.
    [Google Scholar]
16. Kirby, M. (1972), ‘On acting and not-acting’, The Drama Review: TDR, 16:1, pp. 3–15, https://doi.org/10.2307/1144724. Accessed 20 May 2023.
    [Google Scholar]
17. Kirby, M. (1987), A Formalist Theatre, Philadelphia, PA: University of Pennsylvania Press.
    [Google Scholar]
18. Laban, R. and Ullmann, L. (eds) (1966), Choreutics, London: MacDonald and Evans.
    [Google Scholar]
19. Luria, A. (1973), The Working Brain: An Introduction to Neuropsychology, New York: Basic Books.
    [Google Scholar]
20. Menon, K. (1979), Kathakali Attaprakaram, Thrissur: Kerala Kalamandalam.
    [Google Scholar]
21. Merleau-Ponty, M. (1962), Phenomenology of Perception (trans. C. Smith), London: Routledge.
    [Google Scholar]
22. Nair, S. (2015), The Natyasastra and the Body in Performance, Jefferson, NC: McFarland.
    [Google Scholar]
23. Namboothiri, M. P. S. and Vasudevan Nampootirippad, K. (2013), Kathakaliyude Rangapada Charithram, Kozhikode: Mathrubhumi Books.
    [Google Scholar]
24. Nandikesvara (1917), The Mirror of Gesture: Being the Abhinaya Darpana of Nandikesvara (trans. A. C. Duggirala), New Delhi: Munshiram Manoharlal.
    [Google Scholar]
25. Padoux, A. (2011), Tantric Mantras, London: Routledge.
    [Google Scholar]
26. Padoux, A. (2017), The Hindu Tantric World, Chicago, IL: University of Chicago Press.
    [Google Scholar]
27. Paniker, K. (1993), ‘Textual sources for performances’, in D. Nair and K. Paniker (eds), Kathakali: The Art of the Non-Worldly, Mumbai: Marg, pp. 19–31.
    [Google Scholar]
28. Paniker, K. A. (2015), ‘The aesthetics of Kutiyattam’, in S. Nair (ed.), The Natyasastra and the Body in Performance, Jefferson, NC: McFarland and Company, pp. 176–81.
    [Google Scholar]
29. Raina, A. (2015), ‘The art of creating a Kathakali performer’s “presence”’, Theatre, Dance and Performance Training, 6:3, pp. 323–38, https://doi.org/10.1080/19443927.2015.1068216.
    [Google Scholar]
30. Rangacharya, A. (2010), The Nāṭyaśāstra (trans. A. Rangacharya), New Delhi: Munshiram Manoharlal Publ.
    [Google Scholar]
31. Schechner, R. (1993), The Future of Ritual: Writings on Culture and Performance, New York: Psychology Press.
    [Google Scholar]
32. Schechner, R. (2001), By Means of Performance, Cambridge: Press Syndicate of the University of Cambridge.
    [Google Scholar]
33. Schechner, R. (2002), Performance Studies, New York: Routledge.
    [Google Scholar]
34. Sheets-Johnstone, M. (1979), The Phenomenology of Dance, 2nd ed., London: Dance Books.
    [Google Scholar]
35. Sheets-Johnstone, M. (1990), The Roots of Thinking, Philadelphia, PA: Temple University Press.
    [Google Scholar]
36. Sheets-Johnstone, M. (1999), The Primacy of Movement, Amsterdam: John Benjamins.
    [Google Scholar]
37. Sheets-Johnstone, M. (2002), ‘Descriptive foundations’, Interdisciplinary Studies in Literature and Environment, 9:1, pp. 165–79, http://www.jstor.org/stable/44087501. Accessed 18 July 2023.
    [Google Scholar]
38. Sheets-Johnstone, M. (2009), ‘Kinesthetic memory’, in M. Sheets-Johnstone (ed.), The Corporeal Turn: An Interdisciplinary Reader, London: Imprint Academic, pp. 43–72.
    [Google Scholar]
39. Sheets-Johnstone, M. (2010), ‘Kinesthetic experience: Understanding movement inside and out’, Body, Movement and Dance in Psychotherapy, 5:2, pp. 111–27.
    [Google Scholar]
40. Sklar, D. (2001), Remembering Kinesthesia, Minneapolis, MN: University of Minnesota Press.
    [Google Scholar]
41. Vatsyayan, K. (1997), The Square and the Circle of the Indian Arts, New Delhi: Abhinav Publications.
    [Google Scholar]
42. Zarilli, P. (1984), The Kathakali Complex, New Delhi: Abhinav Publications.
    [Google Scholar]
43. Zarilli, P. (2000), Kathakali Dance-Drama: Where Gods and Demons Come to Play, London: Routledge.
    [Google Scholar]