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Volume 7, Issue 1-2
  • ISSN: 2052-0204
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Abstract

This article is a practice-led investigation of the current media landscape using print and humour as a means of resisting the barrage of imagery and the noise of contemporary news cycles. I will present a critical reflection on my own works in relation to other artists and commentators of photomontage and modern image culture. Silicon Valley CEOs want us to be connected 24/7, tuned in, switched on and hyper-notified. With screens an everyday essential and being online an imperative, entertaining yet inaccurate content feeds get the most hits and interaction. Negative news sells and divisive issues can hold attention, but in this era of information warfare, the impact on mental health is increasing. An Internet unhindered by national boundaries or regulation has incurred a storm of misinformation that not only divides opinions online but can instigate offline actions that radically change our societies. We could be living through a watershed moment where the technology to create deepfakes derails democracy, or this could be a turning point where scientists and researchers fight back over misrepresentation of their research and the population can assert control over our own content feeds and thoughts.

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2020-08-01
2024-05-02
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Our affair with current affairs
Journal of Illustration 7, 275 (2020); https://doi.org/10.1386/jill_00035_1
/content/journals/10.1386/jill_00035_1
/content/journals/10.1386/jill_00035_1
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  • Article Type: Article
Keyword(s): humour; misinformation; photo etching; photomontage; print; screenprint; sensationalism; surrealism

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