Soft Power: Hwang and Tesori’s reappropriation of The King and I in representing twenty-first-century diplomacy and the dystopic reality of contemporary America | Intellect Skip to content
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Volume 13, Issue 3
  • ISSN: 1750-3159
  • E-ISSN: 1750-3167

Abstract

This article reviews David Henry Hwang and Jeanine Tesori’s In this ‘play with a musical’, Hwang and Tesori revisit Rodgers and Hammerstein’s to critique its Asian stereotypes. The genre-bending form is, however, much more than a simple retelling of a flawed musical of the past. As the article demonstrates, the writers question China’s attempts at public diplomacy and its efforts to acquire soft power its dismal human rights records. The play does so by not merely reversing the narrative of but by offering a nuanced take on twenty-first-century politics. In doing so, the writers create a scathing portrayal of American reality set against a backdrop of contemporary events.

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2019-12-01
2024-05-01
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