Studies in Musical Theatre

Studies in Musical Theatre

ISSN: 1750-3159
E-ISSN: 1750-3167

Studies in Musical Theatre is a refereed journal which considers areas of live performance that use vocal and instrumental music in conjunction with theatrical performance as a principal part of their expressive language.

Journal Status	Active
Collection(s)	Intellect Music Collection 2022 Intellect Music Collection 2023 Intellect Performing Arts Collection 2023 Intellect Full Collection 2022 Intellect Full Collection 2023 Intellect Performing Arts Collection 2022

Latest Articles Lasest articles RSS feed

- Doing the Time Warp: Strange Temporalities and Musical Theatre, Sarah Taylor Ellis (2022)
  
  By Samuel Yates
- Attack of the Monster Musical: A Cultural History of Little Shop of Horrors, Adam Abraham (2022)
  
  By Peter C. Kunze
- El tiempo entre costuras, Espacio Ibercaja Delicias, Madrid, Spain, 19 May 2022
  
  By Paul R. Laird
- A conversation with Jeanine Tesori
  
  Authors: Raymond Knapp and Holley Replogle-Wong
- Aggressively Millennial: A dialogue on & Juliet
  
  Authors: Trevor Boffone and Danielle Rosvally
- Musical theatre’s omnivorous voice: Interviews with elite voice teachers in the Broadway community
  
  By Guro von Germeten
- Editorial
  
  Authors: Elizabeth Wollman and Jessica Sternfeld
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Studies in Musical Theatre

Latest Articles Lasest articles RSS feed

Doing the Time Warp: Strange Temporalities and Musical Theatre, Sarah Taylor Ellis (2022)

Attack of the Monster Musical: A Cultural History of Little Shop of Horrors, Adam Abraham (2022)

El tiempo entre costuras, Espacio Ibercaja Delicias, Madrid, Spain, 19 May 2022

A conversation with Jeanine Tesori

Aggressively Millennial: A dialogue on & Juliet

Musical theatre’s omnivorous voice: Interviews with elite voice teachers in the Broadway community

Editorial

Most Read This Month

Most Cited Most Cited RSS feed

‘Is this what it takes just to make it to Broadway?!’: Marketing In the Heights in the twenty-first century

Hamilton’s women

Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y

West Side Story and The Music Man: whiteness, immigration, and race in the US during the late 1950s

The performance of discipline on Broadway

The revocalization of logos? Thinking, doing and disseminating voice

Just another Puerto Rican with a knife? Racism and reception on the Great White Way

Musicality as a paradigm for the theatre: a kind of manifesto

‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in Six

Embodying history: Casting and cultural memory in 1776 and Hamilton