Studies in Musical Theatre

Studies in Musical Theatre

ISSN: 1750-3159
E-ISSN: 1750-3167

Studies in Musical Theatre is a refereed journal which considers areas of live performance that use vocal and instrumental music in conjunction with theatrical performance as a principal part of their expressive language.

Journal Status	Active
Collection(s)	Intellect Music Collection 2022 Intellect Music Collection 2023 Intellect Performing Arts Collection 2023 Intellect Full Collection 2022 Intellect Full Collection 2023 Intellect Performing Arts Collection 2022

Latest Articles Lasest articles RSS feed

- Music Theatre Now Conference, MTNOW Network, Chaired by Guy Coolen, O. Festival for Opera, Music, Theatre (2022)
  
  By Caroline Wilkins
- Mormons, Musical Theater, and Belonging in America, Jake Johnson (2019)
  
  Lying in the Middle: Musical Theater and Belief at the Heart of America, Jake Johnson (2021)
  
  By Jim Lovensheimer
- Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way, Caseen Gaines (2021)
  
  By Cody M. Jones
- ‘Meine Heimat ist der Wagen’: Negotiation of mobility and settledness in two German post-war musicals
  
  By Carolin Stahrenberg
- Le seul, le vrai, le paradis: Cultural mobility and French musical films (1930–50)
  
  By Franziska Kollinger
- Dance, mobility and social change in Billy Elliot: The Musical
  
  By Robert Gordon
- ‘There was no one in the audience’: The first Soviet musical on a Czechoslovak stage
  
  By Vojtěch Frank
- Ethnic mobilities and representations in Rose-Marie on stage and screen
  
  By William A. Everett
- Paradoxes of stillness in Caroline, or Change
  
  By Anouk Bottero
- ‘When you change the view from where you stood, the things you view will change for good’: An introduction to the mobilities paradigm in musical theatre
  
  By Nils Grosch
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Studies in Musical Theatre

Latest Articles Lasest articles RSS feed

Music Theatre Now Conference, MTNOW Network, Chaired by Guy Coolen, O. Festival for Opera, Music, Theatre (2022)

Mormons, Musical Theater, and Belonging in America, Jake Johnson (2019)

Lying in the Middle: Musical Theater and Belief at the Heart of America, Jake Johnson (2021)

Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way, Caseen Gaines (2021)

‘Meine Heimat ist der Wagen’: Negotiation of mobility and settledness in two German post-war musicals

Le seul, le vrai, le paradis: Cultural mobility and French musical films (1930–50)

Dance, mobility and social change in Billy Elliot: The Musical

‘There was no one in the audience’: The first Soviet musical on a Czechoslovak stage

Ethnic mobilities and representations in Rose-Marie on stage and screen

Paradoxes of stillness in Caroline, or Change

‘When you change the view from where you stood, the things you view will change for good’: An introduction to the mobilities paradigm in musical theatre

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‘Is this what it takes just to make it to Broadway?!’: Marketing In the Heights in the twenty-first century

Hamilton’s women

Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y

West Side Story and The Music Man: whiteness, immigration, and race in the US during the late 1950s

The performance of discipline on Broadway

The revocalization of logos? Thinking, doing and disseminating voice

Just another Puerto Rican with a knife? Racism and reception on the Great White Way

Musicality as a paradigm for the theatre: a kind of manifesto

‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in Six

Embodying history: Casting and cultural memory in 1776 and Hamilton