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Studies in Musical Theatre
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Studies in Musical Theatre
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Volumes & issues
Volume 17 (2023)
Volume 16 (2022)
Volume 15 (2021)
Volume 14 (2020)
Volume 13 (2019)
Volume 12 (2018)
Volume 11 (2017)
Volume 10 (2016)
Volume 9 (2015)
Volume 8 (2014)
Volume 7 (2013)
Volume 6 (2012)
Volume 5 (2011 - 2012)
Volume 4 (2010)
Volume 3 (2009)
Volume 2 (2008)
Volume 1 (2006 - 2007)
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‘Is this what it takes just to make it to Broadway?!’: Marketing In the Heights in the twenty-first century
By
Elizabeth Titrington Craft
Hamilton
’s women
By
Stacy Wolf
Billy Elliot The Musical
: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y
By
George Rodosthenous
West Side Story
and
The Music Man
: whiteness, immigration, and race in the US during the late 1950s
By
Carol J Oja
The performance of discipline on Broadway
By
Susan Russell
The revocalization of logos? Thinking, doing and disseminating voice
By
Konstantinos Thomaidis
Just another Puerto Rican with a knife? Racism and reception on the Great White Way
By
Judith A Sebesta
Musicality as a paradigm for the theatre: a kind of manifesto
By
David Roesner
‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in
Six
By
Grace Barnes
Embodying history: Casting and cultural memory in
1776
and
Hamilton
By
Elissa Harbert
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