Book Reviews

References

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2. Fuhrer, Margaret. ( 2015), American Dance: The Complete Illustrated History, New York:: Voyageur Press;.
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3. Hill, Constance Valis. ( 2010), Tap Dancing America: A Cultural History, New York:: Oxford University Press;.
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4. Kraut, Anthea. ( 2016), Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance, New York:: Oxford University Press;.
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5. Malone, Jacqui. ( 1996), Steppin’ on the Blues: The Visible Rhythms of African American Dance, Urbana, IL:: University of Illinois Press;.
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6. Martin, John. ( 1936), America Dancing, New York:: Dodge Publishing Company;.
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7. Mille, Agnes de. ( 1951), Dance to the Piper, Boston, MA:: Little, Brown and Company;.
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8. Mille, Agnes de. ( 1980), America Dances, New York:: Obolensky and Macmillan;.
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9. Pugh, Megan. ( 2015a), America Dancing: From the Cakewalk to the Moonwalk, New Haven:: Yale University Press;.
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10. Pugh, Megan. ( 2015b;), ‘ Who invented the Shimmy? The history of tap dancing in America is a joyful and troubled story. ’, The New Republic, 17 November, https://newrepublic.com/article/123964/who-invented-the-shimmy. Accessed 4 November 2019.
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11. Stearns, Marshall. ( 1968), Jazz Dance: The Story of American Vernacular Dance, New York:: McMillan;.
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12. Thompson, Robert Farris. ( 2011), Aesthetic of the Cool: Afro-Atlantic Art and Music, Pittsburgh, PA:: Periscope Publishing;.
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13. Green, Benny. (ed.) ( 1987), A Hymn to Him: The Lyrics of Alan Jay Lerner, New York:: Limelight Editions;.
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14. Lerner, Alan Jay. ( 1978), The Street Where I Live, New York and London:: W. W. Norton;.
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15. Banfield, Stephen. ( 2016;), ‘ On Sondheim: An Opinionated Guide by Ethan Mordden. ’, review , Music and Letters, 97:3, pp. 527–29.
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16. Condon, Bill. ( 2006), Dreamgirls, USA:: Paramount Pictures;.
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17. Gruber, Paul. ( 1993;), ‘ Rodgers and Hammerstein. ’, review , Opera News, 57:11, 13 February, p. 44.
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18. Marshall, Rob. ( 2014), Into the Woods, USA:: Walt Disney Pictures;.
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19. Wolf, Stacy. ( 1999;), ‘ Coming Up Roses: The Broadway Musical in the 1950s, and Place For Us: Essay on the Broadway Musical. ’, review , Theatre Journal, 51:2, pp. 225–27.
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20. Cook, Amy. ( 2010), Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science, Basingstoke:: Palgrave;.
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