Shaping audiences with care | Intellect Skip to content
1981
Volume 6, Issue 2
  • ISSN: 2045-5879
  • E-ISSN: 2045-5887

Abstract

Abstract

Socially engaged artistic explorations often involve changing tactics and pivoting quickly to achieve their goals and reach their intended audience. The artwork of Studio REV- takes the form of sculptures, film, videos, prints, installations, dance, interactive media and performance that address the challenges and opportunities impacting the lives of low-wage workers, immigrants, teens and women. One of Studio REV-’s largest projects is the CareForce, a transmedia public artwork and two mobile studios (NannyVan and the CareForce One) that amplifies the voices of America’s fastest growing workforce, caregivers – and the diverse people who are championing the growing national movement for domestic worker justice. With the CareForce as a case study, this conversation between writer Gretchen Coombs and artist Marisa Morán Jahn, founder of Studio REV- and lead artist of the CareForce, consider how formal and informal pedagogical strategies activate an audience. Audience in this context can be a public, a community, or something more narrowly defined – as in the case of the CareForce – as domestic workers and domestic employers. First, however, is a brief description.

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/content/journals/10.1386/vi.6.2.197_5
2017-06-01
2024-04-29
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