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5. Volume 8, Issue 1, 2017

Film Matters - Volume 8, Issue 1, 2017

Volume 8, Issue 1, 2017

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Language: English

• • Editorial

    Authors: Tim Palmer and Liza Palmer

    https://doi.org/10.1386/fm.8.1.4_2

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• • Rethinking Racialized Cinema: A Critical Examination of Representations of Afro-Brazilians in City of God

    By G. Maris Jones

    https://doi.org/10.1386/fm.8.1.5_1

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• • When Can Homophobia Live and Let Die?: An Examination of Sexual Deviance in the James Bond Franchise

    By Lauren Spungen

    https://doi.org/10.1386/fm.8.1.12_1

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• • The First Rule of Genre: Fight Club as a Neo-Gangster Film

    By Jeremy Zhen

    https://doi.org/10.1386/fm.8.1.18_1

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• • The Disruption of Femininity Against the Tyrant: Reality and Myth of Sexual Discovery in Breillat's Fat Girl

    By Veronica Gonzalez Kompalic

    https://doi.org/10.1386/fm.8.1.22_1

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• • I Am Not Responsible: The Notion of Gaps in La Societé du Spectacle and the Question of Functionality in Empathetic Responses to Images of Violence and Suffering

    By Naveed Goudarzi

    https://doi.org/10.1386/fm.8.1.26_1

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• • Pleasure in Pain: A Freudian Approach to the Representation of Self-Inflicted Violence in Michael Haneke's The Piano Teacher

    By Kayla Hoff

    https://doi.org/10.1386/fm.8.1.30_1

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• • The Intersection of Politics and Trauma in the Films of Apichatpong Weerasethakul

    By Jonathan Mackris

    https://doi.org/10.1386/fm.8.1.35_1

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• • Acknowledging the Abuse of Others

    By Caitlin S. Manocchio

    https://doi.org/10.1386/fm.8.1.39_1

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• • "Spirit, Genius, or Eloquence": Sontag, Hume, and the Efficacy of Screened Suffering

    By Thomas Seraydarian

    https://doi.org/10.1386/fm.8.1.43_1

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• • "It's an anti-Russian, anti-Putin manifesto": Social Critique and the Politics of Place in Leviathan (2014)

    By Maria Cristina Garcia

    https://doi.org/10.1386/fm.8.1.47_1

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• • From Curls to Color: A Cinematic Evolution of Little Orphan Annie

    By H. J. Burrell

    https://doi.org/10.1386/fm.8.1.52_1

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• • The Age of Truthfulness: The Cases of La Vita è Bella and The Boy in the Striped Pajamas

    By Floriana Guerra

    https://doi.org/10.1386/fm.8.1.56_1

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• • "I learned a new word today...atom bomb": Children and the Destruction of Innocence in Portrayals of the Second World War

    By Laura Jones

    https://doi.org/10.1386/fm.8.1.59_1

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• • Empty Faces and Frightening Silence: Children as the Uncanny in The White Ribbon

    By Regina Mosch

    https://doi.org/10.1386/fm.8.1.64_1

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• • Atonement and Crows: Representations of Girlhood, Fairy Tales, and Reality

    By Ralitsa Shentova

    https://doi.org/10.1386/fm.8.1.68_1

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• • Childhood's End: Childhood Faith in Science Fiction

    By Conor Syme

    https://doi.org/10.1386/fm.8.1.72_1

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• • Concealed Childhoods in Michael Haneke's Caché

    By Lewis Urquhart

    https://doi.org/10.1386/fm.8.1.77_1

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• • Time Passes: How Neorealism Has Influenced Modern American Independent Filmmakers

    By Megan Hess

    https://doi.org/10.1386/fm.8.1.80_1

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• • Modern Television: An Interview with Christine Becker

    By Leah Rae Kmosko

    https://doi.org/10.1386/fm.8.1.83_1

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Volumes & issues

• Volume 15 (2024)

• Volume 14 (2023)

• Volume 13 (2022)

• Volume 12 (2021)

• Volume 11 (2020)

• Volume 10 (2019)

• Volume 9 (2018)

• Volume 8 (2017)

• Volume 7 (2016)

• Volume 6 (2015)

• Volume 5 (2014)

• Volume 4 (2013)

• Volume 3 (2012)

• Volume 2 (2011 - 2012)

• Volume 1 (2010 - 2011)

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