The creation of contemporary glass mosaics inspired by ancient Burmese glass art | Intellect Skip to content
1981
Volume 14, Issue 1
  • ISSN: 2040-4689
  • E-ISSN: 2040-4697

Abstract

This research studies glass decorations used in religious buildings from nineteenth-century Burma.1 It focuses on artworks found along the inner walls of the Buddhist shrine at Shwe Yan Pyay in Nyaungshwe City. Dating from the early nineteenth century, the shrine still serves as a Buddhist learning centre in the village and is thus an invaluable source of knowledge on Burmese and Asian art. Ancient glass artworks employed different techniques, many of which have since faded from practice, such as painting under glass or using lacquer. Their study can inform art education, promote art conservation and open new creative pathways for contemporary artists. This study has researched these ancient techniques through practice-based research and offers examples of its contemporary application.

Funding
This study was supported by the:
  • Chiang Mai University
This article is Open Access under the terms of the Creative Commons Attribution 4.0 International licence (CC-BY 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original work is properly cited. The CC BY licence permits commercial and noncommercial reuse. To view a copy of the licence, visit https://creativecommons.org/licenses/by/4.0/
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2023-03-07
2024-04-27
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References

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