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oa Chile
- Source: Global Hip Hop Studies, Volume 3, Issue 1-2: Hip Hop Atlas, Dec 2022, p. 49 - 56
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- 20 Mar 2023
- 01 Apr 2023
- 20 Dec 2023
Abstract
The contribution shows how rap music in Chile is related to the changes in music production and the relationship between cultural industries and self-management processes due to technological advancements. Based on Howard Becker’s concept of art worlds, it analyses the collaborative networks in the rap music scene, including musicians, record labels and media. The contribution also examines the impact of technology, musical instruments, and spaces on music production, consumption and distribution. Lastly, it emphasizes the importance of different meeting points in Santiago, the capital city and the center of the country’s hip hop scene, from 1983 to the present day.
Funding
- Agencia Nacional de Investigación y Desarrollo de Chile (Award 3220141)
- Núcleo Milenio en Culturas Musicales y Sonoras (CMUS) (Award NCS2022_016)
© 2023 (2022) The Author(s). Published by Intellect Ltd.
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