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- Volume 16, Issue 1, 2020
International Journal of Education Through Art - Volume 16, Issue 1, 2020
Volume 16, Issue 1, 2020
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Towards a vital pedagogy: Learning from anti-ableist practice in art education
More LessAbstractArt education has the potential to promote inclusive education for all children and young people. However, the pervasive discourse of special education, with an emphasis on individual deficit, support and remediation, can dominate our thinking about the relationship between disability and art education. This article reports on an attempt to resist the limitations of such discourses by introducing anti-ableist, crip theory to art educators (n=48). Visual and textual storyboards enabled practitioners to present, reflect and revise projects from a committed anti-ableist position. Modified projects reflected an awareness of the benefits of multi-sensory approaches, the advantages of interdependency and a greater resonance with contemporary arts practice. Acknowledging the challenges of taking theory to practice, the article suggests that anti-ableist theory can promote a vital pedagogy in art education. It concludes that crip theory can provoke practice-based resistance to deficit-based models of disability.
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Ordinary Extraordinary Activism: Student-led filmmaking in disability studies
Authors: Chelsea Temple Jones and Kim CollinsAbstractIn this article, we, as disability studies educators in Toronto, Canada, reflect on our interpretations of a student group's call to 'people' disability culture. This request tasked us with mapping disability culture in Canada, and representing it through the arts-based approach of new disability documentary. We produced five student-directed films, Ordinary Extraordinary Activism, that bridge theory with lived experience by profiling activists whose lives involve participating in disability culture. Here, we describe how our work supported and transcended the affirmative model by drawing on intersectionality and Disability Justice. We critically consider the aesthetic and representational tensions of producing films under crip time. Through this writing, we reflect on the three-year process of filmmaking as a gesture of online pedagogy and analyse three out of five films.
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Engaging, validating, imagining: A comic-based approach to (non)participation and empowerment
More LessAbstractThis article engages with art education and disability justice through a story narrated using comics. Lorena's Story is a short graphic narrative that explores the complexity of taking responsibility for (non)participation during a participatory animation workshop for children and young people with disabilities. The story inspires a reflective process that questions the model of empowerment present in participatory video literature, validates the diverse ways of being in the world with disabilities and inspires a different notion of empowerment. Within arts-based educational research methods, the comic story is a site of knowledge that aims to provide a sense of integrity, sincerity and authenticity.
Este artículo se compromete a establecer una conversación entre el área de educación artística y el reclamo de justicia social de los estudios de discapacidad a través del arte del cómic. La historia de Lorena es una narrativa breve que expresa la complejidad de tomar responsabilidad de la (no)participación durante un taller participativo de animación para niños, niñas y jóvenes con discapacidad. La historia inspira un proceso reflexivo que cuestiona el modelo de empoderamiento presente en la literatura de video participativo, valida diversas formas de ser en el mundo con discapacidad, e inspira una nueva noción de empoderamiento. Dentro de los métodos de investigación educativa basada en las artes, la historia del cómic es un espacio de conocimiento que se propone generar integridad, sinceridad y autenticidad.
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Rippling excesses: A/r/tography becoming dis/a/r/tography
More LessAbstractHow do disability arts (dis/arts) and culture rupture and transform conventional artistic and a/r/tographic practices? We show how disability arts and culture involves a multiplicity of voices unfolding, recursing, rippling and reflexively performing public pedagogy to make the Wingspan retreat of artists and scholars. We revisit both Hofstadter's formalistic and ahistorical conception of recursion and Irwin's a/r/tography to ask how artistic practices and genres reflexively transform. Our research foregrounds disability collectivity without forsaking individuality, fragilities, strengths, differences of disability that require accommodation and communication beyond the binaries of ability/disability, and, purported 'normalcy' and 'irregularity'. This article artistically and intellectually plays both with the unfolding of a/r/tography as recursive processes often in tension and contention with discourses of 'ability' and 'normalcy' that so bind who counts as valued human beings (or not) and whose semiotic excesses matter. Recursive transformations may become larger sociocultural movements of disability politics and collectives with history, agency and polyvocality. To respect such differences and yet exceed them in the span of wings is the provisional and mighty task of the disability arts, culture and public pedagogical movement.
RÉSUMÉComment les arts et la culture liés au handicap décomposent-ils et transforment-ils les pratiques artistiques et « a/r/tographiques » conventionnelles? Nous montrons comment les arts et la culture du handicap impliquent une multiplicité de voix se déroulant, se reproduisant et performant de façon réflexive dans la pédagogie publique afin de produire la retraite Wingspan d'artistes et d'érudits. Nous discutons à la fois de la conception formaliste et non-historique de la réapparition (recursion) de Hofstadter et de « l'a/r/tographie » de Irwin pour explorer comment les pratiques et les genres artistiques se transforment de façon réflexive. Notre recherche met au premier plan la collectivité des personnes handicapées sans abandonner l'individualité, les fragilités, les forces, les différences de handicap nécessitant une adaptation et une communication allant au-delà des dichotomies capacité / handicap et de la prétendue «(a)normalité». Cet article se propose de jouer, artistiquement et intellectuellement avec le développement de la l'a/r/tographie en tant que processus récursifs souvent en tension et en conflit avec des discours de capacité et de normalité qui justifient si souvent l'appartenance au statut prisé d'humain et dont les « excès sémiotiques » importent donc. Les transformations récursives peuvent devenir de plus grands mouvements socioculturels de la politique du handicap et des mouvements sociaux possédant leur histoire, agentivité et polyvocalité. Respecter ces différences tout en les dépassant est le défi principal des arts, de la culture et du mouvement pédagogique publics axés sur le handicap.
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Autism and outsiderism: The art of George Widener
By Alice WexlerAbstractUntil recently, Outsider Art has escaped the examination that has been given other colonialist labels, such as Orientalism and Primitivism. Contemporary artists, such as George Widener, who slip in between mainstream and Outsider artworlds, pose lingering questions about this category. As an autistic artist, Widener also upends the misrepresentations about the spectrum in both the artworld and art education. I suggest that although Widener does not serve as a representative of the autistic or Outsider Art communities, he does serve as an example of entrenched notions of art and disability in these worlds. In this article, I ask how labels might be discarded so that we can enjoy artists who tell us about the neuro-diverse interior of individuals. Removed from outwardly imposed categories, we might re-imagine art in society and art in schools.
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Using arts-based research to understand the sociocultural facets of having invisible disabilities in a normative society
More LessAbstractDisability studies is centred around the idea that disability is a social construction. Within the field of disability studies, however, many people with non-apparent disabilities are still underrepresented when it comes to the investigation of how social factors influence the formation of their own disability identity. Throughout this study, I use arts-based research to explore moments of critical disability awareness that highlight instances in which sociocultural factors have influenced my disability identity. By examining certain facets of critical disability studies that address issues of ableism, I am able to emphasize the ways in which critical autobiography can contribute to the discourse of having invisible disabilities within a normative society.
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Splashes of light: Parents of children with dyslexia explore experiences through visual arts
More LessAbstractThis article examines the critical disability praxis grounding a research study that explored the lived experiences of parents of children with dyslexia through in-depth interviews and arts-based focus group. The participants engaged in visual arts practices to create provoking images of the issues facing themselves or their families. This multimodal experience became an opportunity for the participants to raise awareness of the needs of families with learning disabilities. This article focuses on two parent-artists who created visual pieces that shared a thematic focus on darkness and light. Both pieces contribute to a deeper understanding of the challenges and difficulties that these parent-artists encountered, but also gave them the opportunity to voice the more affirmative and empowering aspects of their experiences.
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Social interaction development in inclusive art rooms1,, 2
More LessAbstractThe purpose of this study was to assess the impact of inclusive postmodern visual arts education for students with emotional disabilities (ED) in the area of social interaction development. This research focuses on the ability of students to build art skills and change social interaction skills through constructivist pedagogical approaches. Mixed-methods case studies were implemented over a period of two semesters with three students, three teachers and two high schools in the United States. Pedagogical approaches that emphasized student interaction and personal choice allowed students to effectively interact with peers and led to student engagement. The findings from this study indicate that over time the students in visual arts developed fluency and skills in artmaking, which led to confidence in their work and better peer relationships.
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Volumes & issues
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Volume 20 (2024)
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Volume 19 (2023)
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Volume 18 (2022)
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Volume 17 (2021)
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Volume 16 (2020)
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Volume 15 (2019)
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Volume 14 (2018)
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Volume 13 (2017 - 2018)
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Volume 12 (2016)
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Volume 11 (2015)
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Volume 10 (2014)
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Volume 9 (2013)
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Volume 8 (2012)
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Volume 7 (2011)
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Volume 6 (2010)
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Volume 5 (2009)
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Volume 4 (2008)
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Volume 3 (2007 - 2008)
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Volume 2 (2006)
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Volume 1 (2005)