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Textures of Diaspora and (Post-)Digitality: A Cultural Studies Approach
  • ISSN: 2632-5853
  • E-ISSN: 2632-5861

Abstract

This article gives an overview of francophone African diasporic websites such as Africultures.com, africavivre.com and other digital magazines, networks and blogs that are present on different platforms. Taking recent novels, texts of literary criticism, reviews and comments as examples, I analyse in what way they share in discourse about diasporic and migratory identity positions of Afropéens (‘Afropeans’) (and differ therein from other readings of the same novels). Methodologically, I draw on Stephen Greenblatt’s concepts of self-fashioning and circulation of social energy as well as on Pierre Bourdieu’s notion of the production of social capital. With respect to socially preformed discursive formation of Black people as an ostensibly homogeneous minority in the twenty-first century France, I refer to Pap Ndiaye’s ground-breaking study from 2009 which closely analyses the complex situation of the Black migrant and post-migrant population. I focus on two narrative texts which are widely perceived both in France and on an international level: First, the autobiographically inspired novel () by Fatou Diome and second, Marie Ndiaye’s narrative triptych (). Studying remarks and comments of literary criticism concerning these texts on francophone African diasporic websites, I raise the following questions: What relevance do these narrated characters (still) have today? To what extent do they shape the discourse of Black migrants in France? What kind of interpretation of the colonial history and context do they offer? And which emancipatory moments and decolonial strategies create a new, proper symbolic capital and, thus, add to the Imagined Community of ‘Noirs en France’ (‘Black people in France’)?

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2022-06-01
2024-04-26
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http://instance.metastore.ingenta.com/content/journals/10.1386/gdm_00024_1
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  • Article Type: Article
Keyword(s): Afropean literature; Black minority in France; decolonial strategies; francophone African texts; imagined communities; literary criticism; production of social capital; self-fashioning

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