Charting hxstories in Sāmoan visual and digital art | Intellect Skip to content
1981
Volume 2 Number Supplement 1
  • ISSN: 2632-2463
  • E-ISSN: 2632-2471

Abstract

In this article, addressing the absences of cultural memory from existing institutional archives is accounted for in the development of new curatorial display territories, both online and in the gallery. The imperatives to claim new digital territories as extensions of homeland territories are contextualized within the discussion of the curated works in the first in a series of exhibitions titled supported from Tkaronto/Toronto by imagineNATIVE Film and Media Arts Festival for the Indigenous world and for all Sāmoan diasporas. The co-design of new Indigenous language terms including siapo viliata are also discussed.

This article is Open Access under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence (CC BY-NC-ND), which allows users to copy, distribute and transmit the article as long as the author is attributed, the article is not used for commercial purposes, and the work is not modified or adapted in any way. To view a copy of the licence, visit https://creativecommons.org/licenses/by-nc-nd/4.0/
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2021-11-02
2024-04-26
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References

  1. ACCA OPEN: AOAULI ( 2020), Australian Centre for Contemporary Art;, Melbourne, Australia:, 30 September.
  2. Sāmoan Hxstories, Screens and Intimacies I ( 2020), imagineNATIVE Film + Media Arts Festival and A Space Gallery, Toronto, Canada, 22 September–31 October.
    [Google Scholar]
  3. Eshrāghi, Léuli. ( 2021;), ‘ Charting hxstories in Sāmoan visual and digital art. ’, Journal of Environmental Media, 2:Supplement, pp. 8.18.8, https://doi.org/10.1386/jem_00056_1
    [Google Scholar]
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