Exodus and Performance Art: Where To Flee in IWC?

One question is becoming more and more necessary nowadays: to what extent are there alternatives to the given relations of production? In what sense can the forces of artistic production escape an encompassing appropriation of their potential, albeit always only particularly and temporarily? Dealing with the recent crisis of financial capital does not necessarily mean, as some exponents of former postoperaism put it, a revolutionary exodus of living labor away from capital absolutely, but rather hints at the potential of post-Fordist virtuosity itself and its alternative modes of production – its potential to reconfigure their relations instead of overthrowing them.