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1981
Volume 5, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

This article seeks to position Jørgen Leth’s The Perfect Human as an avant-garde challenge to Classical Hollywood film style as well as mine the film’s abstract appeal in its invention of new methodologies to generate meaning.

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/content/journals/10.1386/sfs.5.2.141_1
2015-10-01
2024-11-09
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  • Article Type: Article
Keyword(s): avant-garde; Classical; film-style; Hollywood; narrative; representation
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