This article seeks to position Jørgen Leth’s The Perfect Human as an avant-garde challenge to Classical Hollywood film style as well as mine the film’s abstract appeal in its invention of new methodologies to generate meaning.
The Perfect Human: An avant-garde rebellion against Classical Hollywood style
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https://doi.org/10.1386/sfs.5.2.141_1Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.