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Volume 11, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

The narrative strategies at work within challenge viewers to construct an empathetic protagonist, even from challenging, parodic cues. Ultimately, Didier Flamand’s film is as much about how we watch films as it is about a fellow irritated by a faulty screw.

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/content/journals/10.1386/sfs_00029_1
2021-01-01
2025-03-26
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References

  1. Besson, Luc. ( 1994), Léon, the Professional, France:: Les Films du Dauphin;.
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  2. Poiré, Jean-Marie. ( 1993), Les Visiteurs, France:: Alpilles Productions;.
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  3. Neupert, Richard. ( 2021;), ‘ Spectatorship and affective investment in La Vis. ’, Short Film Studies, 11:1, pp. 45–48, doi: https://doi.org/10.1386/sfs_00029_1
     [Google Scholar]
/content/journals/10.1386/sfs_00029_1
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  • Article Type: Article
Keyword(s): compassionate gaze; emotional style; empathy; narration; primacy effect; spectatorship

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