Skip to content
1981
Volume 11, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

This analysis will show that Metallika is designed as an absurd and exaggerated form of a mechanical, industrial society in which different types of alienation are organized.

Loading

Article metrics loading...

/content/journals/10.1386/sfs_00027_1
2021-01-01
2024-06-13
Loading full text...

Full text loading...

References

  1. Einblau, D.. ( 1968;), ‘ Alienation: A social process. ’, unpublished master’s thesis, Edmonton, AB:: Department of Political Science, Sociology and Anthropology, University of Alberta;.
    [Google Scholar]
  2. Kanungo, R. N.. ( 1982), Work Alienation: An Integrative Approach, New York:: Praeger;.
    [Google Scholar]
  3. Lefebvre, H.. ( 1971), Everyday Life in the Modern World, New York:: Harper Torchbook;.
    [Google Scholar]
  4. Marx, K.. ( 1959;), ‘ Basic writings on politics and philosophy: Marx and Engels. ’, in L. Feuer. (ed.), Garden City, NY:: Anchor Books;.
    [Google Scholar]
  5. Marx, K.. ( 1976;), ‘ The notion of alienation. ’, in L. A. Coser, and B. Rosenberg. (eds), Sociological Theory, New York:: MacMillan;, pp. 397401.
    [Google Scholar]
  6. Özdemir, Burcu Dabak. ( 2021;), ‘ On the edge of alienation: La Vis. ’, Short Film Studies, 11:1, pp. 3740, doi: https://doi.org/10.1386/sfs_00027_1
    [Google Scholar]
/content/journals/10.1386/sfs_00027_1
Loading
  • Article Type: Article
Keyword(s): absurd; alienation; industrial society; labour; mechanical; products
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error