1981
Volume 11, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Among the many functions that the doppelgänger-twist in fulfils, it also stages a convergence of the film’s two most self-conscious influences – Kafkaesque bureaucracy in (1925) and (1926); and Charlie Chaplin’s (1936) – in which Mr K comes face-to-face with the Tramp.

Loading

Article metrics loading...

/content/journals/10.1386/sfs_00026_1
2021-01-01
2023-05-29
Loading full text...

Full text loading...

References

  1. Biderman, S.. ( 2016;), ‘ K., the Tramp, and the cinematic vision: The Kafkaesque Chaplin. ’, in S. Biderman, and I. Lewit. (eds), Mediamorphosis: Kafka and the Moving Image, New York:: Wallflower;, pp. 198209.
    [Google Scholar]
  2. Buckland, W.. ( 2009), Puzzle Films: Complex Storytelling in Contemporary Cinema, Malden, MA:: Wiley-Blackwell;.
    [Google Scholar]
  3. Buckland, W.. ( 2014), Hollywood Puzzle Films, London and New York:: Routledge;.
    [Google Scholar]
  4. Chaplin, C.. ( 1936), Modern Times, USA:: Charlie Chaplin Productions;.
    [Google Scholar]
  5. Elsaesser, T.. ( 2009;), ‘ The mind-game film. ’, in W. Buckland. (ed.), Puzzle Films: Complex Storytelling in Contemporary Cinema, Malden, MA:: Wiley-Blackwell;, pp. 1341.
    [Google Scholar]
  6. Gilliam, T.. ( 1985), Brazil, UK and USA:: Embassy International Pictures;.
    [Google Scholar]
  7. Kafka, F.. ( 1925), Der Process (The Trial), Berlin:: Verlag Die Schmiede;.
    [Google Scholar]
  8. Kafka, F.. ( 1926), Das Schloss (The Castle), Leipzig:: Kurt Wolff;.
    [Google Scholar]
  9. Kau, E.. ( 1996;), ‘ La Vis – den ex-centriske billedfortælling. ’, P.O.V. – A Danish Journal of Film Studies, 1, March, https://pov.imv.au.dk/Issue_01/LaVis/LaVis5.html. Accessed 12 November 2019.
    [Google Scholar]
  10. Kolstrup, S.. ( 1996;), ‘ La Vis, den rette linie er en spiral fra først til sidst. ’, P.O.V. – A Danish Journal of Film Studies, 1, March, https://pov.imv.au.dk/Issue_01/LaVis/LaVis6.html. Accessed 12 November 2019.
    [Google Scholar]
  11. Petrovic, Z.. ( 1996;), ‘ La Vis – det genkendeligt fremmede. ’, P.O.V. – A Danish Journal of Film Studies, 1, March, https://pov.imv.au.dk/Issue_01/LaVis/LaVis4.html. Accessed 12 November 2019.
    [Google Scholar]
  12. Raskin, R.. ( 1996;), ‘ La Vis – making sense of the ending. ’, P.O.V. – A Danish Journal of Film Studies, 1, March, https://pov.imv.au.dk/Issue_01/LaVis/LaVis7.html. Accessed 12 November 2019.
    [Google Scholar]
  13. Raskin, R.. ( 2002), The Art of the Short Fiction Film: A Shot by Shot Study of Nine Modern Classics, Jefferson, NC:: McFarland & Company;.
    [Google Scholar]
  14. Raskin, R.. ( 2014;), ‘ On short film storytelling. ’, Journal of Scandinavian Cinema, 4:1, pp. 2934.
    [Google Scholar]
  15. Rossouw, M. P.. ( 2017;), ‘ Of metaphor and machine: some nuts and bolts behind Modern Times as philosophy. ’, Image & Text, 30, pp. 3872.
    [Google Scholar]
  16. Thomsen, B. M.. ( 1996;), ‘ Hovedet på sømmet – om La Vis. ’, P.O.V. – A Danish Journal of Film Studies, 1, March, https://pov.imv.au.dk/Issue_01/LaVis/LaVis3.html. Accessed 12 November 2019.
    [Google Scholar]
  17. Rossouw, Martin P.. ( 2021;), ‘ Mr K meets Modern Times: Intertextual closure in La Vis. ’, Short Film Studies, 11:1, pp. 3135, doi: https://doi.org/10.1386/sfs_00026_1
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/sfs_00026_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error