The climax of the show | Intellect Skip to content
1981
  1. Home
  2. A-Z Publications
  3. Short Film Studies
  4. Volume 11, Issue 1
  5. Article
Volume 11, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

In , dialogues are reduced to their most basic form – random sounds in which just a few words are intelligible enough to carry the characters’ conversations, thoughts and emotions. But if words are how minds take shape and express themselves, does that make these characters mindless? Soulless?

© 2021 Intellect Ltd
Loading

Article metrics loading...

/content/journals/10.1386/sfs_00032_1
2021-01-01
2023-10-03
Loading full text...

Full text loading...

References

  1. Avery, Tex, and Jones, Chuck. ( 1930–63), Looney Toons, USA:: Warner Bros;.
     [Google Scholar]
  2. Gilliam, Terry. ( 1985), Brazil, UK and USA:: Embassy International Pictures and Universal Pictures;.
     [Google Scholar]
  3. Heidegger, Martin. ( 1947;), ‘ Letter on humanism. ’, in M. Heidegger. (ed.), Basic Writings: Nine Key Essays, Plus the Introduction to Being and Time, London:: Routledge;, n.pag.
     [Google Scholar]
  4. Simon, Sébastien. ( 2021;), ‘ The climax of the show. ’, Short Film Studies, 11:1, pp. 57–60, doi: https://doi.org/10.1386/sfs_00032_1
     [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/sfs_00032_1
Loading
  • Article Type: Article
Keyword(s): amalgam; Didier Flamand; dystopia; French short film; language; menace

Most Cited Most Cited RSS feed

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error