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1981
Volume 10, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

This article examines in relation to the aesthetics of Andy Warhol's own filmmaking and contemporaneous American television commercials. I point to how the film's design – including the single long take, ambient sound, and Warhol's performance – draw upon and undermine American commercial culture.

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/content/journals/10.1386/sfs_00004_1
2020-04-01
2024-12-07
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References

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/content/journals/10.1386/sfs_00004_1
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